Showing posts with label Retreats for You. Show all posts
Showing posts with label Retreats for You. Show all posts

Monday, 15 January 2018

Writers' retreats




These days I tend to think I don't need them. I've had a daily writing habit now for many years and I mainly manage to stick to it. I've retired from the day job now and although I've somehow managed to fill my time, I've doubled my writing output and have an even stricter regime now that I still manage mainly to keep to. 

So, why would I need to go on a writers' retreat? 

I used to bookmark any I came across and dream of going to them. The contact with other writers they offered was very tempting. What about that one in France where you all meet on the patio in the evening for an aperitif before dining out in a local restaurant? Or that one where a resident writer gives you daily feedback on your work? Or the one way up in the Spanish mountains? Surely the views would inspire? 

When I first started writing seriously I was a Head of Modern Languages in a demanding secondary school and I was also studying for a Masters in Writing for Children. My writing mainly happened after 10.00 p.m. when I managed to get a second wind, at weekends, in the school holidays and when I was actually away on holiday. A retreat then would have been very handy.       
I've actually enjoyed four retreats and they have all been quite surprising.

 

In the Austrian Alps 

 

This was a home-made retreat. I took a week-long bargain holiday in a very well-appointed hotel and chose the half-board package. I didn't need to worry then about where I would eat.  Cafés were easy enough to find for lunch. 

I used this mainly to edit a young adult book.  The book had been placed second in a writing competition and the publisher who judged it thought it was worth working on more. It did become published and is in fact out now in second edition. 

I certainly got more work done that I would have at home. I also managed to do quite a lot of other things: swim and go for walks every day, meet up with some German friends, visit a German publisher and break a bone in my hand, thoroughly testing out the Austrian healthcare system with which I was most impressed.     

SCBWI  - near Taunton

 

This was off the beaten track, difficult to find, in the middle of nowhere, yet once we arrived, we were surprised by how many other buildings were nearby.  We had lovely weather and it did have and open air pool which we were able to enjoy. It also had a glorious, lush sloping lawn that we all longed to roll down but didn't quite dare to.

Yes, we did a lot of writing. It was good also to be connected with other writers. The bar opened before dinner and after dinner we shared work. We also had talks by a published picture book writer and an editor from a children's imprint. On the whole it was a very productive few days.

Retreats for You 

 

I attended this with two colleagues, the mum of one of them and with my friend and business partner, Debz Hobbs-Wyatt.  There was only one other guest and she fitted in with us very well. The superb home cooking made this one a delight. Six o'clock is wine o' clock and the hostess delivers a glass of wine to your desk.  

There is plenty of time to chat over meals and around the log fire in the evening. Debz and I even went to the pub one evening – it is conveniently right opposite the retreat. 

Again we went for walks and runs as well as spending a lot of time writing. 

I was pleased to note as well that some other writers I knew had been there the week before.  
Interestingly one project I worked on whilst there gained a gold award form my publisher. This means I get 15% royalties. 

Maybe being on retreat helps me to write better, if not more, so might be worth it even for hardened writers like me.            

Gladstone'sLibrary with SCBWI North West 

 

I attended this retreat immediately after I retired from the University of Salford. So yes, I provided the cava.
You can book into Gladstone's as an individual. This includes meals and snacks and there are tea and coffee making facilities in the rooms. There are no televisions in the rooms but digital radios. Some people like to have music on in the background when they're writing. 
There are many delightful places to write – in your room, in the library, or, if the weather is fine, in the grounds. 
Our writing sessions were punctuated by activities together, meals and walks, of which there are many nearby. In the evenings we gathered in the cosy lounge which has an honesty-box bar and a log fire.
It did kick start me into my new regime. Despite the breaks I completed a lot of writing and found a sharper pace.  

An old dream

I used to dream of owning a big house and offering writing retreats.  Now, I'm not so sure I have the energy. However, I have been invited to act as a tutor on a fully-catered retreat and I'm looking forward to that.
On balance, I would say that even for established writers there is much merit in occasionally going on retreat.        

Friday, 18 September 2015

Writer’s Retreat


It’s beginning to feel like a lifetime ago but it’s actually only just three weeks since I went on a writer’s retreat at the lovely Retreatsfor You location in Sheepwash, Devon. Host Debs and Rob really make you feel welcome. We were truly pampered. The meals were fabulous, with delicious food and the company and good conversation of other writers, the rooms comfortable and conducive to writing and particularly lovely was the glass of wine delivered at 6.00 p.m. to your desk. It was cosy too, sitting by the log fire. 


Monday, 31 August 2015

Newsletter August 2015

The view form my window
I’m still buzzing form a writer’s retreat I’ve just come from ate Retreats for You. I was there with two colleagues, the mum of one of them and my very good friend and business partner Debz Hobbs-Wyatt. I shall write a much more detailed account of this later on my blog.
I will say straight away, though, that we were very well looked after. It felt as if our right to write was honoured. Okay, so yes, we have to pay for the visit, but the price was extremely reasonable for what we got.
I’d intended to try to do about four hours a day and then do some other things – like marketing.  In the end, though I did do much more writing: about seven hours a day. I even managed about four hours each way on the journey there and back.  And there was time too to socialise over meals and the six-o-clock glass of wine. There was even time for a few walks in the pretty

surrounding countryside.
Normally, I slow right down after the first couple of hours. This time, though, I managed to go at full strength. I wonder whether it was because I knew four other people were also writing?          

Books and short stories  

I’ve now completed the ninth edit of Girl in a Smart Uniform and have just started the tenth. This means that the very important but relatively easy dialogue edit has been completed. This really helps the novel to come along. It’s beginning to become solid. I’m now culling quite a bit of the description.       
I’m steaming ahead with the chapter on war in my book on children’s literature. Naturally I’ve included Lines in the Sand. Michael Morpurgo and Michael Foreman feature a lot in this chapter as one might imagine. I’ll also be writng about Elizabeth Laird and Beverly Naidoo who both set stories in troubled part soft the world. In writing this chapter I’ve become more aware that there are some children for whom war is a part of normal life. They have never known life without war.     
I’m very pleased to have got two more stories accepted on the Cut a Long Story siteAccess Denied and  Extra Dimensions. This happened the same week as I was sent the proofs of The Best of CafeLit 4 in which I have a short story and a piece of flash memoir.
I’m still I’m getting a lot of visits to my Spooking Facebook page. I still wonder why. Is it affecting sales?       
   

Bridge House

We’ve almost finished editing the stories for the Snowflakes. I’m busy now putting a book trailer together. This is always good fun. We’ve started looking at covers.
Don’t forget we’re already planning the celebration in London. Note for your diary: 5 December. Those writers in the anthology will be given first refusal on tickets. The CafeLit4 people will follow, then other Bridge House and CafeLit writers and finally anyone. We’re hoping to get between 50 and 100 people there. We’re making the event free this time but there will be a cash bar. There will be books on sale, too – Snowflakes and The Best of CafeLit 4. There will also be a few other Bridge House titles on sale.


CafeLit

Remember, we’re always open to submissions. Find out how here. We’ve now put together The Best of CafeLit 4. This is currently being proof read. It will be a slightly slimmer volume than usual; this time we have more pieces of flash fiction. Our 100-worders are in fact very popular.    


Creative Café

We’re always looking for new cafés. I’ve now added some resources for café owners. We’re also continuing to look for reviews of existing cafés. If you visit one of the cafés in the project and would lie to write a review of between 250 and 350 – nice, too to have a couple of pictures – query via the contact form.     

School Visits

As I said last month, I am now limiting my school visit to these associated with The House on Schellberg Street project. I’m still offering visits on this for a donation towards the project. I’ve devised a whole interactive workshop for this. It would be a real asset for any school teaching the Holocaust at Key Stage 3. Even if a school can’t afford a donation, I’d be happy to run the project.
Query for a school visit via the contact form.

The Red Telephone

I’m just finishing what I hope are the final edits on Kathy Dunn’s The Demon Magician. We’ve now set a release date for 31 October. We’re currently looking at covers.   
There will be a new call for submissions once this has gone to print which shouldn’t be too long now.
I’d like to remind you of our new enterprise -  something between a mentoring system and an online course. Though publication is not guaranteed, we will at least look at your full book if you’ve attended one of the courses. We’re offering it for free to a few people at first. We’ll refine as we go along based on feedback from our clients. We’ll then continue to offer it at a discount for a while before going to full price when we’re completely happy with it. We’re not sure what full price will be. Again, we’ll be guided by our current clients. Find out more here.      

Looking Forward

I’ve now booked for the NAWE conference in November, where I’ll be delivering a session on Build a Book in An Hour and a Quarter. This is based on the school workshop that I do on Build a Book in a Day. The emphasis here though will be on kick-starting inspiration for adult writers, coupled with a knowledge that the work will get out there.
Then the following week I’m off the SCBWI –BI conference in Winchester. This will be a little like going home. I did my MA in Writing for Children there. At this conference I’ll just sit back and listen though I shall be looking for copy for Network News in Words and Pictures.         
There’s another conference in November as well. Three weekends running ….! Gulp. Booking hotels and trains is actually quite stressful at times but I’m more and more reluctant to drive these days. I find train journeys good for getting work done.
SCBWI North West has plenty of activity, too. We’re at the Imperial War Museum next Saturday and as well as critiquing, we’ll be looking at self-publishing. Then we have a visit form the Skylark agency at the end of the month.
Being a writer certainly does not mean being lonely.