Memory is an important ingredient in writing. We use it all the time. Even when we write fantasy or science-fiction we are using our knowledge of how the world works. We look at scenes in our imagination and set about writing with our senses. But what makes us choose those particular visuals, those particular sounds, those tastes, those smells and feelings? And the colours we see and the order in which we describe the details?
Our mind jumps around in a particular random way and we seem to have three levels of consciousness, almost. There is the higher self, having its grand thoughts, often analysing and symbolising the world. A matter-of fact voice then just describes what is happening in human terms and a third part is just aware physically of the world around us. Which voice speaks in those rich scenes created with the senses?
I’ve been teaching this week about the characteristics of the novel and about writing autobiography. Both can use some of the same techniques and it’s often all to do with bringing the reader into the middle of a scene, setting them in what feels like a real time / space. We create that scene with our imagination and our memory and our imagination is based upon our memory.
Showing posts with label writing from memory. Show all posts
Showing posts with label writing from memory. Show all posts
Thursday, 8 October 2009
Tuesday, 14 October 2008
Vital Signs Neil Campbell at the University of Salford
This visit actually formed part of a module I’m teaching on at the University of Salford. My students on the Writing Short Fiction were invited to attend both a reading and a workshop. I also attended both and I’m really glad I did.
It’s quite nice, when your day job involves putting people through these sorts of experience, to actually sit back a little and have a go at a workshop yourself. I did just that this afternoon.
Neil’s reading was very interesting and he showed us several scenes form ordinary working lives. He admits to having held several uninteresting jobs and he treated us to some of the characters and situations he had met in these.
The workshop began with some reading of short story theory, which I found very useful and shall add to my collection of the same. We then read and unpicked a short story by Hemingway. We were also invited to create our own stories from memories of jobs we had done and funny / sad incidents. Mine was about donuts – based on my remembering working as a Saturday girl at Woolworth’s and being put on the donut machine because I had short hair.
We wrote for twenty minutes and by the end of that time I had about a third of a short story. I think it is one I’ll try to finish. In fact, it’s one I’m looking forward to finishing.
It’s quite nice, when your day job involves putting people through these sorts of experience, to actually sit back a little and have a go at a workshop yourself. I did just that this afternoon.
Neil’s reading was very interesting and he showed us several scenes form ordinary working lives. He admits to having held several uninteresting jobs and he treated us to some of the characters and situations he had met in these.
The workshop began with some reading of short story theory, which I found very useful and shall add to my collection of the same. We then read and unpicked a short story by Hemingway. We were also invited to create our own stories from memories of jobs we had done and funny / sad incidents. Mine was about donuts – based on my remembering working as a Saturday girl at Woolworth’s and being put on the donut machine because I had short hair.
We wrote for twenty minutes and by the end of that time I had about a third of a short story. I think it is one I’ll try to finish. In fact, it’s one I’m looking forward to finishing.
Subscribe to:
Posts (Atom)