Wednesday, 20 October 2021

Chatting to Lynn Clement

 
 

Today I welcome on to my blog Lynn Clement . Chapeltown has just published her collection of flash fiction : The City of Stories  
 
 

 
 

 What do you write? Why this in particular?

I mainly write flash fiction and short stories. Also, when the mood takes me, I write poetry.

I enjoy these forms of writing because I have a flitting mind, and lots of ideas.

I love the challenge of writing to a title and trying to put a twist on the stories. I try to find an angle that others won’t.

I have written 30,000 words of a novelette. I began in lockdown but put it in ‘the drawer’ when we were allowed out! (It’s still there!)

I am currently compiling 50,000 words of short stories, as a collection to submit to Gill in the new year!

 

 What got you started on writing in the first place?

 

I ‘found’ writing after I retired. I started a writing course at the local Tech college, but it folded. I was so disappointed. But I soon found another a little further away from me, in Winchester. The tutor was inspirational and the writing bug bit.

I found some writing groups through the local library. They’ve been extremely helpful, especially setting titles to write to and giving feedback.

I’ve entered a few local competitions and done well, so I was driven on to keep writing.

 

  Do you have a particular routine?

 

Not especially. I prefer writing in the morning, leaving the afternoon to relax my shoulders and do other things. Although bizarrely, I also like writing in bed! When doing my homework for college, I like to get something down on paper, after my drive home whilst thinking about the task.

 

 Do you have a dedicated working space?

 

Yes, I have a laptop on a messy desk in the study. Above my desk I have a lovely big, framed print of the Verrocchio painting, ‘Tobias and the Angel,’ which I fell in love with on a visit to The National Gallery in London. My work colleagues gave it to me on my retirement. It means a lot to me. The story behind the painting is an apocryphal tale about doing good turns, believing, and having ‘the scales removed from your eyes.’ It’s great.

 My desk is right next to my conservatory, which has gold window blinds and a burnt orange roof blind. The morning sun shines in, and I feel cocooned and warm. Lovely.


 

 

When did you decide you could call yourself a writer? Do you do that in fact?

 

I haven’t yet called myself a writer. I say I write. But to call myself a writer feels odd. I suppose now I have my first book published by Gill, I should go ahead and say I am a writer.

 

 

  How supportive are your friends and family? Do they understand what you're doing?

 

My friends and family are very supportive.

My husband Bob is pleased that I am doing something I want to do and enjoy doing. Also, I am out of his way!

I have several friends from writing groups who have been very encouraging and helpful when my writing needs critiquing or just to remind me where commas really should go! I have belonged to Writers’Inc in Basingstoke for several years and they have driven me on to achieve publication.

My grandson Freddie is proud of me for writing but prouder that I play walking football!

My other grandson Barney says his favourite thing at school is writing! Yay!

My granddaughter Poppy, who has just turned three, constantly carries what she calls ‘her diary’ around and adds her squiggles every now and then.

My son writes. His writing is very deep. We exchange our efforts sometimes via email, as he lives in Australia.

My daughter can’t understand why I would want to do anything involving writing!

 

 

  What are you most proud of in your writing?

 

That Gill has published my collection. I never thought I would find anywhere for my kind of writing to be published but then Allison Symes spoke at The Hampshire Writers’ Society and told us about CafeLit and Bridge House publications. And the rest as they say is history! (Cliché)

I followed up Allison’s lead only to find Gill was a lecturer (then) in my hometown of Salford. It seemed like we were a good fit and so I bit the bullet. I sent some stories off and now I have a book out!

 


 

 How do you get on with editing and research?

 

I don’t like it!

For my book The City of Stories, I had Allison Symes as my editor. She had to be very patient, and she was. I found the process tricky, but Allison helped enormously.

As for research, the internet is a marvellous invention.

 I also use settings I have been to, in my stories. I collect postcards of places I’ve been, to remind me. Such as the cream stone quintessence of the Cotswolds’ cottages or the ‘Arbeit Macht Frei’ metal sign above Auschwitz. The visit to Auschwitz inspired my poem, Are they your red shoes? Which is in the book.

 

 

   Do you have any goals for the future?

 

I am hoping that I can compile a collection of short stories to submit to Gill in 2022. I am struggling at the moment as the summer and ‘freedom’ from COVID has distracted me.

I would like to enter a bigger competition than the ones I have entered and be placed or acknowledged in some way…but to achieve that I have to enter!

My fourth grandchild is due in the new year. If I could write a children’s book for them, I would.

 

 Which writers have inspired you?

 

I was an avid reader of Agatha Christie. I say was as I have read them all and have the collection on my bookshelves. I now listen to them on Audio and love to watch adaptations of her work. I do try to avoid writing murder mysteries though, although I have written one about a murder in the Cotswolds for the collection of short stories. Working title: Slaughter in the Slaughters!

HG Wells was a favourite in my youth as was John Wyndham. Some of my stories have resonances of their work, I am sure. Aldous Huxley’s Brave New world is an all-time favourite of mine.

Stephen King and James Patterson are also old favourites. I love Stephen King’s book, ’On writing.’ Some great advice in there.

My writerly friends also inspire me.

 

 

So tell me about your new book.

 

 
 
 
 
My book is called The City of Stories. Published recently by Chapeltown books. It is a collection of flash fiction, short stories, and poems.The stories range from dark tales of murder, mental illness, gothic horror, science fiction, and kitchen sink but also humour. A very eclectic mix. Hopefully, the poems are moving.

I enjoyed compiling it. I found it interesting to see which stories were good to go together and where to place the poems.

 

Tell us about your research for this book.

The research was mainly through life’s rich tapestry! (Cliché) Many of my stories come from observations of people and their circumstances. Any research done would involve the internet eg: ensuring symptoms of an illness mentioned was accurate or what specific words like tontine mean.

 

 What inspired you to write this?

All stories were born from a different inspiration. Many were written to a given title such as ‘The phone rang twice ‘or ‘Turning over a new Leaf.’ Others were in response to competition stimuli eg: write a story about someone struggling with disability or a story set in the future. All those ideas were turned into stories that are in the book.

 

What's next?

I am working hard to compile a collection of short stories to send to Gill in 2022.

In the meantime, I am promoting The City of Stories. I have some dates to speak at my college, groups I belong to, and I have a stall at The Hampshire writers’ Society authors’ event.

 

How can we get a copy of the book?

The book is on sale through http://www.thebridgetowncafebooksshop.co.uk/2021/10/the-city-of-stories.html it is also on Amazon.

Do you have any events planned?

I am promoting The City of Stories. I have three dates to speak at my college, two for groups I belong to, and I have a stall at The Hampshire Writers’ Society authors’ book fair. I also will be attending Gill’s event in London, where I will read extracts from the book and hopefully sell some copies? That will see me through to Christmas when it will be time to recuperate and go again in the new year, where there are a couple of irons in the fire!

Tuesday, 12 October 2021

Escapism or rationalisation of our current reality?

 

Lost, Hell, Limbo, Night, Dark, Forest, Alone, Lamp

What are we writers wont to produce? I’ve just asked that question on Twitter and I ought to give my own answer.  If I examine what I’m writing, I have to say, a bit of both.

Peace Child 5, my YS SF, is set in a distant future. Yet the problems it deals with are very familiar: otherness, difficult trade negotiations, political disagreement. Incidentally, when the first novel in the series was finished in 2005 I’d included a personal communicator that could do all sorts of amazing things. It’s actually only a little more sophisticated than our smart phones and I think that technology is going to overtake the Peace Child’s soon.

My other writing is of a not too distant past – when there shortages were common, when the government was corrupt and racism was rife, particularly anti-Semitism. Not such a good place to escape to.

I also write short stories and flash fiction, much of which are set in the current time. Rarely is the issue the pandemic or political unease but they’re usually there in the background.  Can you really write anything set in 2019-2021 without some reference to the pandemic or the shortages of food and fuel?

How do I see this as a reader? I’ve always been an avid reader. Currently I’m reading some of Dickens’ early sketches.  He’s brilliant at characterisation and in terms of place it’s like time travelling – I’m really taken back to that world, so escapism in that sense. Yet many of the social ills that Dickens introduces us to are still there. 

As a child I loved Enid Blyton.  The Famous Five lived a middle class life that I aspired to. Life at boarding school seemed fun when I later read her books set in schools.

I moved on to Anne of Green Gables and was introduced to a world totally different from my own.  I come from a medium-sized industrial town in the Midlands. Anne’s life in contrast seemed idyllic.

Later, it would be Jackie and Petticoat where I constantly looked for stories about girls who were going through similar experiences to my own.

Fantasy, science fiction and historical fiction came high up on the list when I became an adult. I also read the Harry Potter and Dark Materials books as an adult. Yet I also enjoy works tending towards the literary that are grounded in our current reality.

Isn’t it true anyway that even as we read fantasy, science fiction and historical fiction we feel gratified when we see the character experiencing something that is familiar to us?

Hence, I go back to my opening statement: writers offer us both escapism and a rationalisation of our current reality, sometimes achieving both at the same time.        

Image by ambroo from Pixabay           

Saturday, 2 October 2021

News 2 October 2021

 

An extraordinary meeting

I’ve written a couple of prompt books for writers and I actually use them myself. Between each stage of editing I have a go at a short story. And I use my own prompt book to give me the idea of what to write about.

The prompt for 30 September 2021 was:

Talk to your characters

Write a conversation with one of your characters. What do you talk about? Do they challenge what you have written? Do you find out something about yourself?”

So, I had Kaleem from my Peace Child  series turn up in the back garden. I invited him in for a beer. And we got talking: about his life in the caves, his relationship with Rozia and about what is going to happen to him in book six. I won’t give any details of that here – book four isn’t even out yet. I’m in the process of editing book five where although he is still a main character he is no longer the protagonist. That privilege goes to his adopted daughter Petri.

I’m actually finding that I love him a little more because of this exercise.

It reminds me of when Judy Waite came to the University of Salford where I used to teach a course on writing the Young Adult novel. She delivered an excellent workshop. She invited  us to think deeply about our characters, even lighting a candle to them and then writing about them or to them with our non-dominant hand. At that time Kaleem was irritating me a bit because he was always winging and doubting himself. I began to think of him more kindly.

I’m now excited about the story I’m now writing about him.  Will it ever be published? Not for a long time, though when there are no more dangers of spoilers I’ll perhaps put it on my sample fiction site.            

    

Current writing

I’m now on the sixth draft of my fifth Peace Child novel, The Glastonbury Specification.   

I’ve almost finished the final draft of my latest non-fiction work as well.

I’ve had several articles published on Talking about My Generation:

https://talkingaboutmygeneration.co.uk/creative-writing-adventures-writing-the-countryside/  - a creative writing exercise inspired by time out in the countryside

https://talkingaboutmygeneration.co.uk/happy-festival-bury/  - a review of the Happy Festival at the Bury Art Museum. This celebrated the work of Victoria Wood 

https://talkingaboutmygeneration.co.uk/roller-boots-coloured-sands-and-john-lennons-doppelganger-holidays-at-southse  one of my series of nostalgic accounts of seaside holidays – taken in the UK before the word staycation was invented.   

 

The Young Person’s Library

I’ve added one book this month:

The Monster Belt by Ruth Estevez This is a long YA book, possibly also suitable for younger teens. It’s a long read but keeps us guessing so we stay with it.        

 

Current reading recommendation

And indeed I’m recommending The Monster Belt by Ruth Estevez.

Both Harris White and Dee Winter encounter monsters and drownings in their early lives.  Harris loses his friend ten-year old Jonty to the Mediterranean from the island of Formentera, just off Ibiza.  Twenty-four children have drowned in the lake at Thorpemere.  Both Harris and Dee are there when the twenty-fifth, Jordan King, is taken by the mere. Dee as a little girl has met monsters, or so she believes, and Harris thinks a monster took his friend. The year Jordan drowns the convention about monsters, held at the hotel where Dee works, is closed early. The following year, Harris is about to offer an explanation about what really happened to his friend.  Was it, according to the dictionary definition, really the act of a monster? The attendees do not get the chance to find out.  Time and place are taken over by an event that is probably to do with climate change.

Both Harris and Dee grow and this is to some extent a bildungsroman for each of them. We are with Dee most of the time though occasionally the point of view passes to another, more often than not to Harris. 

Are the monsters real? Do they and the Monster Belt really exist?   We are kept guessing until the end and throughout more important is what is happening to Dee and Harris.

 Get your copy here.     

 

Giveaway

Note: these are usually mobi-files to be downloaded to a Kindle.  Occasionally there are PDFs.

This month I’m offering my short story collection: Our Daily Bread.

Many of these stories have appeared elsewhere and they are now collected together for your convenience. I hope you will enjoy them.       

Find out and grab your copy and lots of other freebies here .

And please, please, please leave a review when you’ve finished.    

Note: Normally my books and the books supplied by the imprints I manage sell for anything from £0.99 to £10.99.  Most on Kindle are about £2.99 and the average price for paperback is £7.00. Writers have to make a living. But I’m offering these free samples so that you can try before you buy.

 

The Schellberg Project

The posts may be helpful for teachers who are familiar with the Schellberg stories or who are teaching about the Holocaust.  They may also be interesting for other readers of historical fiction.

Sometimes I also write about what might be of interest to other writers.

I’ve added two posts this month.

Reich Citizenship Law and Law for the Protection of German Blood and German Honour  discusses again the 1935 Nuremberg laws. Understanding those and what they implied are fundamental to our understanding of what became known as the Holocaust. They ought also to be a warning to us.

Also on a serious note, I discuss the ethics of writing abut the past in Ethical considerations, sensitivity reading, and cancel culture  We must preserve the past and represent it accurately.  How can the writer best do this and know that they are being ethical?     

 

 

Some notes about my newsletters and blogs

They do overlap a little but here is a summary of what they all do.

 

Bridge House Authors For all those published by Bridge House, CaféLit, Chapeltown or The Red Telephone or interested in being published by us. General news about the imprints. News for writers. Links to book performance. Sign up here.

 

The Bridgetown  Café Bookshop where you can buy my book and books published by Bridge House Publishing, CafeLit, Chapeltown Books and The Red Telephone.  Visit us here.     

 

Chapeltown Books News about our books. Sign up here.

 

The Creative Café Project News about the project and CaféLit – for the consumer rather than for the producer.  Sign up here.   

 

Gill’s News: News about my writing, The Schellberg Project, School Visits and Events. Book recommendations and giveaways. Find it here.   

 

Pushing Boundaries, Flying Higher News about conferences and workshops to do with the young adult novel. (infrequent postings) Sign up here.  

 

Red Telephone Books News about our books and our authors. Sign up here.

 

A Publisher’s Perspective Here I and some other editors blog as a publisher. Access this here.   

 

The Creative Café Project Listings and reviews of creative cafés. See them here.   

 

CaféLit Stories Find these here

 

Gill James Writer All about writing and about my books. View this here.

 

Gill’s Recommended Reads Find information here about books that have taken me out of my editor’s head and a reminder of the ones I’ve highlighted in this newsletter.    

 

Gill’s Sample Fiction Read some of my fiction here.

 

The House on Schellberg Street All about my Schellberg project. Read it here.

 

Writing Teacher All about teaching creative writing.  Some creative writing exercises. Access this here.     

 

Books Books Books Weekly offers on our books and news of new books. Find them here. 

 

The Young Person’s Library The children’s book catalogue. Access it here.

 

Fair Submissions  Find it here.   

Opportunities for writers are added several times a day. Roughly once a month I send it out to a list. If you would like to be on that list, sign up here.  

Happy reading and writing.