Thursday, 10 September 2020

Another interview with one of the Waterloo Festival Writing Competiton winners.


Today I have  on my blog Paula Readman.  Paula has actually been a winner in all three of the Waterloo festival Writing Competitions, so very well done to her.
  
1) Tell me about your story in the collection.
Oh, which one shall I tell you about, as I’ve been lucky enough to have three of my stories selected? The first story Deucalion’s Flood tells the tale of a migrant who travelled to Britain in the belief he would find a better life.

The second Over the Wall tells the story of two young friends and an accident changed one of their lives forever. My last story Cobalt Blue tells the story about a young lad who has to take his father’s job in a mine to support his family. 

2) What inspired you to write them?
With all three of my stories I wanted to push myself outside my comfort zone, and look at the world from someone else other than my white English elderly woman’s point of view. Deucalion’s Flood puts me in a boat with hundreds of other migrants who have been treated as less than human by others, only to arrive in Britain to find they aren’t treated any better here. In Over the Wall, I wanted to include disability in my story, and play about with how it might affect a young boy’s life. Would it make him less outgoing?  Cobalt Blue was the story I did the most research on. An awful soul destroying problem, which I felt, was under publicised. I wanted to give a voice to the children and women whose lives are being undervalued, while the rest of the world races towards a greener future.
3) How did you hear about the competition?

I heard about the Waterloo Art Festival through being a regular contributor to Bridge House Publishing and Chapel Town Books submissions.

4) Have you had any other success in short story writing?
Yes, I have. Over the last year, I have been busy submitting to other small presses in Britain, Australia and America. In 2012, I won the Harrogate Crime Writing Festival/ Writing Magazine Short Story Competition. It was the biggest competition I won to date. 

5) What, for you, makes a good short story?
A story from its first word to its last that hooks your attention because you know the writer has edited the piece within an inch of its life after carefully choosing each word to carry you forward.

6) Do you have any tips for new writers or writers seeking publication?
Don’t always go with your first idea when entering a themed submission. You first idea will properly be similar to a few of other writers. Try to think outside the box. Write down some obscure ideas. Being a little brave in your lateral thinking may just give you the edge over other entries for competitions and submissions. Also remember nothing is wasted when your work is rejected.  Gave rejected stories another re-read and edited before sending it out elsewhere.

An excerpt from  Cobalt Blue 

A shadow passed over me, as I sat stuffing plastic bags into my father’s boots to make them fit. Then someone called my name. I clumsily jumped up, the boots uncomfortable on my feet. 

“Good morning, Raoul!” A skinny boy danced just outside the doorway to my shanty home. Dust rose blemishing his shiny black trainers. 

“Good morning, Abebe.” The crisp whiteness of his shirt held a promise of escape for my friend. I bit back my jealousy and smiled. Over his shoulder, black clouds gathered on the horizon, threatening rain. By the time it arrived, Abebe would be at his desk.  

“I’m top of my class now,” he stated, pride reflected in his eyes. He lifted the rucksack’s straps from his shoulders, the weight of the books caused them to dig in. “I’ve learnt how to write my name, and my numbers too. That is good, do you not think?”

“Oh yes.” Envy buzzed around me. I too wanted to learn. 

“Come on, Abebe. You don’t want to be late!” The boy’s father waved to me. I acknowledged him with a nod. Abebe ran laughing after his father. His laughter was infectious. It made me wish all the children in the village could join him. As they disappeared around a mountain of grey and red soil, I recalled how six years ago our home had faced a lush green valley. Mother, along with the other women, used to sing as they carried their washing down to the river. Birdsongs filled the cobalt-blue sky along with their beautiful voices. Then the miners came.


Overnight, things changed. The once crystal waters became sluggish and murky and no longer providing fish to feed the villagers. The muddy trickle made mother and some of the women sick, too. Across the scarred and poisoned land, the only sounds we heard were the heavy earth-moving machinery as it tore open another mine.  

After Mother passed away, Father had to work at the mine. No longer able to hunt, or fish to feed us. The strenuous work and little food weakened him making him more vulnerable to the sickness that engulfed our village. At eleven, I took his place at the mine while my younger brothers kept an eye on him. 

“Raoul, be wise. Cover your mouth, hold your tongue, and listen carefully. Never fight, ” Father said every day before I set off to work. “Come straight home.”
 


Monday, 7 September 2020

The Peace Child Trilogy

 

Trilogy? I've actually just finished writing the fourth book and her is a fifth one planned. Will there be  sixth? Will it become like Frank Herbet's  Dune? That started off as a trilogy and ran to nine books in the end. 

Click on the picture above and you'll be able to find all three of the books.  Babel is central to the theme of all three books. Kaleem is haunted by a prophecy to do the with Babel Tower.  Yet  he lives in what our world might become by the 36th century. Some of it all goes back our time and yes, it is all to do with  speaking otehr languages .... in many different ways.

So, I'm organsing a giveaway:

  • one paperback of Babel
  • ten mobi-files    
  • twenty PDFs. 

And yes of course I'd like you to review it. 

Use the contact form to express an interest. First come, first served. 


 

Thursday, 3 September 2020

Introducing another of our 2020 Waterloo Festival Wrting Competition winners - Linda Flynn




There always seems to be a story in my head, which might explain why I am about to have my twentieth short story published. I love experimenting with different styles, the challenge of tightly written narratives and I can fit short stories into a comparatively short space of time. My dream, which I hope to realise soon, is to write and edit full time. This is becoming closer now, especially as I have been doing more work for Bridge House. I have just enjoyed editing Jim Bates’ wonderful collection, Resilience.
                Writing is a wonderful way to reflect upon events and emotions. I was lucky enough to have a story chosen each year for the Waterloo Festival. They are all completely different. The first one, Shouting in a Sandstorm, was written as a way of processing my mother’s struggle with dementia and her eventual death. In complete contrast, the second story, Climbing Rainbows, was humorous, but with pathos and a bit of an edge. My third story, Fishing in Troubled Waters had more sinister undertones. It was set in the past, although the subject matter of physical abuse is still very current. The story presents the protagonist with a moral dilemma if she is to save her friend.
                It’s hard to know why I write any of the stories. Many, such as, There’s Rosemary, That’s for Remembrance, which will be published in Mulling it Over, seem to write themselves. My favourite and happiest place to write is in Woolacombe, overlooking the sea through the seasons. I love to walk my dog in all weathers as this is good thinking and relaxing time. We are training for Search and Rescue, so I have spent a lot of time hiding behind trees too!
                It has been a great privilege to work with so many talented people. Linda Laurie illustrated our recently released humorous children’s picture book, A Most Amazing Zoo. We work really well together and Linda knows exactly how to interpret my suggested ideas. It’s so exciting to see her wonderful and funny illustrations take shape. Rob Townsend has the most amazing reading voice and he recorded the book which has just been released on Audible. Rob really brought the characters and story to life. This has been reduced by Amazon to £3.25 at the moment and a sample is available to listen to on the page: https://smile.amazon.co.uk/A-Most-Amazing-Zoo/dp/B08FBNHGYT/ref=tmm_aud_swatch_0?_encoding=UTF8&qid=1597157765&sr=8-1
I would like to thank Gill James who is phenomenal. I really don’t know how she (alongside her wonderful team with Debz and Martin) manages to achieve so much!
It’s hard for me to follow through and market a finished book as I want to move on to my next project. I still have a number of ideas on the back burner; next year I hope to be able to work on my YA book.

An excerpt from Linda's story: 


Fishing in Troubled Waters



Only a bold plan will remove the outsider from the fishing community, but is it worth the risk?

Dawn rose in a bloodied mackerel-coloured sky over Clovelly Harbour. The cottages huddled together in clusters, flanked either side of a steep cobblestone hill and shouldering only a side view of the sea, as though afraid to stare into its mortiferous depths.
      Inside a cottage tucked into the bottom of the hill, Edna tied fish hooks on to thin lines with cracked, red hands. Her coarse brown skirts were runched up around her legs. She glanced at Peter’s boots by the door, ready for him to be away with the tide. As the thud of his footfall on the stairs ceased, she looked towards him with dark beseeching eyes. “Will you be taking Rufus with you this time?”
      He roughly shook his head, “You know we don’t take men on the boats when they’ve been drinking.”
“Yes, I know Peter,” her face looked gaunt and shadowy in the silvery light, “but Rufus is often found drinking. Without his catch the family will surely starve.”
Peter looked away, “He should know better than to waste it all on porter!”
“But Mary has those bairns to feed and another on its way.”
He rammed a foot into a boot, “She chose him. She should never have married that man!”
Edna lowered her voice, “He’s new to these parts, not one of our own. Mary mistook a fish eye for a pearl.”
Peter raked his hands through his dishevelled black hair. “We never take him when he’s like this. He’s a danger to the men and the boat.”

 

Tuesday, 1 September 2020

News 1 September 2020



 

Zooming around

I’m continuing to enjoy some excellent on-line events. I even managed to attend a book launch in Florida recently.  It was eight o’clock here and lunch-time there.  I think this was deliberate as the launch was of an anthology that included some UK writers.  One of the speakers came from just a few miles from where I’m based.
We missed the Bolton Food festival, always a great event this summer bank holiday weekend. However, the online version was pretty good. You don’t get the smell and tastes as you wander around but there were a lot of interesting demonstrations and you could buy online many of the items they usually sell at the stalls.  
I now have three events arranged myself. You are all cordially invited to all of them. The first  is the Lancashire Authors Association’s talk led by Nick Oldham, a local writer and publisher. This is by invite and if you would like to be invited, please contact me. It takes place on 12 September at 2 p.m.
Then on 17 September at 8 p.m. I will be speaking with three colleagues about writing the 1940s. There will be readings, a Q & A, possibly the opportunity for an open mic and digital giveaways for everyone who attends.
On 26 Sep I’ll be reading from my short story collection and will be joined by two other readers. Again there will be readings, a Q & A, an open mic, if there’s time and again there will be digital giveaways for all attendees.      
    
         

News about my writing and other creative projects

I’m still carrying on much as before: The Round Robin, the fifth book in the Schellberg Cycle, Not Just Fluffy Bunnies, and I’m still working on The Business of Writing.  And of course I’m interspersing this with short stories and flash fiction.
I’m also continuing to write stories relating to what might happen after the virus leaves us – if it does. This is Aftermath, an invitation to write speculative and near future fiction about what may happen after the virus. Reflective writing about what is actually happening now is also welcome, along with stories set now or a little into the future.  
      

The Young Person’s Library

I’ve added new this month:  

The B on Your Thumb: 60 Poems to Boost Reading and Spelling by Colette Hillier (writer) Tor Freeman (illustrator)

This a book of poems that help with spelling and pronunciation. It is suitable for primary school.

I am Brown by Ashok Banker (writer) Sandhya Prabhat (illustrator)

This a picture book for the pre-school child and presents multiculturalism effectively.

Eagle Strike by Anthony Horowitz and Scorpia by Anthony Horowitz These books are becoming even more exciting – and they’re getting thicker and longer. Alex is growing up.

 

  

Current reading recommendation

I’m still making my way through the full series of the Anne Shirley and the Alex Rider books and also the 2019 short list for the Man Booker prize.
This month’s choice therefore has to be The Testaments by Margaret Atwood .
These accounts by three individual witnesses are beautifully written. Margaret Atwood has created a unique voice for each of the narrators. We have the accounts of two young women, both of whom are training to be Aunts in the Gilead system. We also have the voice of the feared and revered Aunt Lydia.
All is not well in or outside Gilead.
It would be difficult to understand these accounts if you are not familiar with The Handmaid’s Tale. You really need to have read that first book or have seen the TV productions. The story in this volume contradicts a little what we have seen in the TV series.
It is the story of what happens after Baby Nicole is smuggled out of Gilead. Certainly the events described here happen when Nicole is a teenager. However, we still don’t have the full story. Will there be one? Or must we use our imaginations?
I gave this a five star review on both Amazon and Good Reads.  It was interesting reading other reviews including some one and two star ones.  Yes, even the literary greats get those!
For me this remains one of those rare books that I’d gladly read again. Perhaps this is partly because I feel I may have missed something. It is also in part because I find the prose so enchanting and not as one reviewer said: “dull and lifeless with no linguistic subtleties that Atwood is so very good at.” So, take heart if you’re a writer and get some one or two star reviews. It’s all so subjective after all.              

 

Giveaway

Note: these are usually mobi-files to be downloaded to a Kindle.  Occasionally there are PDFs.
This moth I’m giving away Fibbin’ Archie, a young adult text that is also a writing experiment using the Fibonacci series.  I hope you like the pun.  
Here’s the blurb:
Archie has quite a reputation as a practised fibber. Normally his lies are harmless but as time goes by they begin to get him into more and more trouble. They lose him his girlfriend, and bizarrely, his hearing as his ears begin to react in a very strange way every time he is less than truthful.  Giving honest opinions isn’t enough. Deep truth is called for. But finding that isn’t easy. Some truths are very hard to face. Then numbers become interesting, too.
Fibbin’ Archie, is, however, more than the story of a disenchanted young man. It is also a writing experiment based on a fascinating number series (Fibonacci!) It is a piece of experimental writing, a humorous story of love and sex, an examination of social issues affecting young adults and a story of coming of age.

You can download it and lots of other free materials here.
Please, please, please review it if you read it.     
Note, that normally my books and the books supplied by the imprints I manage sell for anything from £0.99 to £10.99, with most on Kindle being about £2.99 and the average price for paperback being £7.00. We have to allow our writers to make a living. But I’m offering these free samples so that you can try before you buy.

 

The Schellberg Project

The posts may be helpful for teachers who are familiar with the Schellberg stories or who are teaching about the Holocaust and also for other writers of historical fiction.

This month I’ve highlighted a few useful accounts of the Nazi era in five books that might be of interest to younger readers. You can find this post here.  

I’ve also written more about the BDM girls.  You can find that discussion here. This topic is a crucial aspect of the whole project. What was life like for young German women during and in the years surrounding World War II? Their membership of the BDM has to be very significant.    

School visits

I’ve suspended these until further notice. I’m now starting work on a series of on-line materials.  

Some notes about my newsletters and blogs

They do overlap a little but here is a summary of what they all do.

Bridge House Authors For all those published by Bridge House, CaféLit, Chapeltown or The Red Telephone or interested in being published by us. General news about the imprints. News for writers. Links to book performance. Sign up here.

Chapeltown Books News about our books. Sign up here.

The Creative Café Project News about the project and CaféLit – for the consumer rather than for the producer.  Sign up here.   

Gill’s News: News about my writing, The Schellberg Project, School Visits and Events. Book recommendations and giveaways. Find it here.   

Pushing Boundaries, Flying Higher News about conferences and workshops to do with the young adult novel. (infrequent postings) Sign up here.  

Red Telephone Books News about our books and our authors. Sign up here.

A Publisher’s Perspective Here I blog as a publisher. Access this here.   

The Creative Café Project Listings and reviews of creative cafés. See them here.   

CaféLit Stories Find these here

Gill James Writer All about writing and about my books. View this here.

Gill’s Recommended Reads Find information here about books that have taken me out of my editor’s head and a reminder of the ones I’ve highlighted in this newsletter.    

Gill’s Sample Fiction Read some of my fiction here.

The House on Schellberg Street All about my Schellberg project. Read it here.

Writing Teacher All about teaching creative writing.  Some creative writing exercises. Access this here.     

Books Books Books Weekly offers on our books and news of new books. Find them here. 

The Young Person’s Library I am gradually moving the children’s book catalogue over to this site.  Access it here.

Fair Submissions I am gradually moving the Opportunities List to this site.  Find it here.   

New ones are added several times a day. Roughly once a month I go through it and take out all of the out of date ones. At that point I send it out to a list. If you would like to be on that list, sign up here.  

Happy reading and writing. 

Image by Alexandra_Koch from Pixabay