How is a writer defined?
That’s almost the easy bit. If you write, or at least if you
write and take yourself seriously, you are a writer. But at what point do you become
an established, professional or experienced writer? Let alone talented or
skilled? (I actually argue you can’t help talent but you can always develop
skill.)
Milestones
Are these they? In an approximate order:
- Getting an agent.
- Getting published.
- Joining the Society of Authors
- Getting thirty publications. (They say you lose count after that. I can confirm this.)
- Being published by the Big Five.
- Giving up the day job.
- Getting invited to do talks and school visits.
- Having books translated.
- Appearing at festivals.
- Appearing at the Hay Festival.
- Being on the radio.
- Being on the telly.
- Producing a bestseller.
Getting there
I am sort of, I guess. I can tick off most of those – in one
way or another. However, I’ve never had an agent though I have had a few near
missies. And sometimes been relieved in the end to have sold my work directly to
the small press.
I’ve been a member of the Society of Authors for fourteen
years now. I’m actually on the committee of the Society of Authors North.
I’m published by Bloomsbury. They count as big, now, post
Harry Potter, right? Okay, so I’m only published by them because I was
published by Conitnuum.
I do have a day job – as a lecturer in Creative Writing and
I’m expected to keep up a publication record for it. It’s also okay for me to
write in the office, during office hours, on the office computer. Grey area, I
suppose. In two years and a few months I’ll “retire” to become a full-time
writer supported by a pension. I still couldn’t live from my writing alone.
Yes, I’m now getting invited to do talks and school visits.
One of my books has been translated into one language.
Yes, I’ve appeared at festivals but mainly because I’ve written
and said “Hey, would you like me to come and do a talk?” I’ve not exactly
appeared at Hay but I’ve been there when a book I had a lot to do with was
launched from the main stadium.
Radio, telly, tick. Several times.
Bestseller? Not really, though I have produced one publisher’s
best ever selling book – a German grammar, published in 2001 and still selling steadily.
I’ve earned about £10,000 from it and still get a few hundred every year.
The current state of play – some bizarre happenings
I’ve recently been asked to do quite a few school visits and
talks to writers’ groups. I’m not sure why. I’ve not been doing anything differently
but I’m apparently coming up on the first page of people’s searches. They’ve
then gone on to contact me through my web site. All of the efforts I’ve made in
the past are paying off.
I normally look out for and seize any appropriate opportunity.
Some fab ones have come my way recently. Yet I’ve found I’ve nothing to offer.
Most of my work is out there being looked at or, in some cases, actually
accepted. This is in part because the day job is taking up quite a bit of time
but not entirely; I am still getting a fair bit of work done.
I’m delighted that Crooked Cat are publishing my The House on Schellberg Street. They’re
such a lovely publisher to work with. But just after they accepted, I got two
more offers before I got round to withdrawing it. At least I’m interesting those
publishers in some of my other work now.
Getting there, then? Yep. It looks like it. I’m so glad I
persisted. Bestseller here we come.
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