My biggest news this month I guess is that I am back at the
University of Salford, as a senior lecturer again, on 0.5 FT temporary contract
until 18 September 2018. It all started happening rather suddenly at the end of
February when I got an email from the colleague who took over me as programme
leader: would I be willing to take on the programmes again until the end of the
semester? I was just contemplating this when another email came in: would I be
willing to supervise three MA creative projects? Then it all sort of escalated –
the end of the trimester became the end of July and is now 18 September. I
started officially on 20 March –thus avoiding all the strikes that are going on
in HE at the moment. I have five more weeks of teaching six hours a week, and
all the marking that that produces then it will be mainly admin, attending
meetings and supervising the MA students.
It is impinging a little on my own writing but I am getting some
time from elsewhere to compensate for that.
I'm not letting it interfere with my publishing ventures.
News about my writing
I've now started
making arrangements to have the play script of The House on Schellberg Street read out on 8 July. If you'd like to
be involved and you live within commuting distance of Greater Manchester, let
me know. This will be at the Garrick
Theatre, very close to the Metrolink in Whitefield. We shall start at 1.30 and
finish at 7.00 p.m. I'm hoping to have read through and a walk through.
I hope to pre-cast it. I shall provide cake and other refreshments.
Remember, my book
on marketing is out there. I'm giving it
away for free this month to anyone who would like to read it. See details in
the "give away" section below.
approved our recoding of January Stones and
this is available as an audio book. You can find it here. I notice you can take a free trial with audio
books but I feel a little wary of this, though I am tempted.
The audio book
represents just one of my current experiments.
I'm now loaded my short
stories up to Draft to Digital. I've downloaded the Kindle version to my Kindle
and it looks great. I've opted to sell it through all of the platforms. If I'm pleased with the results I may roll
this out to the imprints. This one isn't released until 31 May though I note
that all of the platforms except Kindle will allow prelease sales.
And I soldier on with
The House of Clementine. It's still a
struggle. Still, I always say that I write better when I struggle. I hope that is
true this time.
I'm beginning to
find out more and more about 1940s events up and down the country. I wish I
could go to them all! I'm hoping though, that we might get a good
representation of members at most of them and that we can share information
Do join us if you
think this is for you. Importantly, I'm happy for you to promote your books
here on the last day of the month.
reminder of what it's all about:
This is a Facebook
group for all people who write about the 1940s. Fiction and non-fiction,
for young and old. Topics might then be: the Holocaust, World War II, Civilian
Experience (all sides) and the battle front. We can exchange ideas about
research and marketing. We may promote books and stories, - the last day of
every month and on launch / release day.
The Dream Team
continues to grow. Find members here.
This is a personal recommendation. Initially I intend to use
my Dream Team a lot myself but gradually I would add in people that friends and
friends of friends have recommended.
You sign up to a mailing list and every time a request comes
in we mail it out to you or the enquirer contacts you directly via my web site.
The conversation then carries on between you and the person making the request.
You may also have a page set up on my blog and you may update that once a
Interested? You may sign up for more than one category.
Beta readers sign up here.
Illustrators sign up here.
DO REMEMBER THAT
AT ANY TIME YOU’RE APPROACHED AND YOU’RE BUSY IT’S PERFECTLY FINE TO SAY NO.
The theme of our
2018 is "Crackers". Submissions are closed now and I just have to
process the last few that have come in. We have almost 100.
We're also very
privileged to be the publisher for the Waterloo festival. These entries are
also closed. For this competition we have just over 100.
We’re getting plenty
of interest in our single-author collections. These are for authors we’ve
published before and they may include stories we’ve already published, ones
they’ve had published elsewhere and new ones. The description for this is now
on the web site. We’ve already had some enquiries and we’re currently working
on several anthologies. You may
recycle stories we’ve already included in another anthology, and you may reedit
these if you wish. You may also add in new stories. We’re aiming at a total
word count of between 30,000 and 70,000 words.
Dawn Knox's Extraordinary
is now out. It is available here.
If you’re interested in having a single author collection, contact
Also in progress are collections by Paul Bradley, Phyllis
Burton, Jeanne Davies, Jesse Falzoi, Jenny Palmer, Dianne Stadhams and Paul
Williams. Several other Bridge House authors have applied and they're in a bit
of a queue but I'm sure we'll accept them. After all we know them.
Stories are now
all being posted at 4.00 p,m, Afternoon Teatime, Kaffee and Kuchen time and it's also when the
kids are home from school. Just the right time for a cuppa and a good story.
quite a few submissions and are now on target of one a day. Sadly, of course,
we have to reject some. Our next step is to have several to choose from each day.
In March we've had stories from James Bates, Cath
Barton, Mary Bevan, Ray Bradnock, Janet Bunce, David Deanshaw, Robert Ferguson,
Patricia Gallagher, Dawn Knox, Helen Laycock, Kim Martins, Joy Mawby, Roger
Noons, Martin Parker, Marilyn Pemberton, Paula R C Readman, Sarah Scanlan, Kathy
Sharp, Neta Shlein, Allison Symes, Andrea Williams and Robin Wrigley. A few new writers here. Do keep
those stories coming.
We're always open
to submissions. Find out to submit here. Remember,
this gives you some exposure, you can add in a short CV each time, and there's
always the chance that your work might be accepted for the annual anthology.
The Best of CaféLit 6 has been produced and copies are on sale. As
usual we welcome reviews. I can let you have a PDF or an e-mobi copy if you're
willing to review. You can also buy copies here. I'll
shortly be working on The Best of CaféLit
We're asking for
readers' help in deciding what should go into this year's selection. If you'd
like to be involved, follow these instructions:
Please select your favourite five posts from 2017. Number
them 1. for the best 2. for the second best etc. and email to gill at cafelit
dot co dot uk. I'll award five points for a number one, four for two etc. You
mustn't vote for yourself but you could ask your friends to look.
If that doesn't get us about 30,000 words I'll add in the most popular posts
and then my own further selection.
Democracy rules okay?
End date: 30 April 2018. https://cafelitcreativecafe.blogspot.co.uk/
On offer for
CaféLit authors is a page on our web site. See examples here. The list is growing. Click on the names to
find out more about the authors and to access their work. If you're a CaféLit
author and would like a web page, use the ones there to get ideas. You need to
send me between 250 and 350 words about yourself, an attractive image, a list
of up to six publications, up to six awards and up to six links. I then also
link the page to your stories on CaféLit. Send to gill at cafelit dot co dot
If you already
have page here, this is the time of year you may ask me to update it. You may
have a new publication, award, web site or image that you'd like posting.
Remember we keep up to six awards and publications on display.
Our Chapeltown authors
have been very proactive in promoting their work. They have managed to get
their books into shops and libraries. They are also buying lots of author copies
and being very proactive on getting on to blogs – mine included, of course.
I'm now trying to
build up the Chapeltown readers list. I'm giving away a free copy of my January Stones 2013 to anyone who joins.
See details here: http://www.chapeltownpublishing.uk/
Spread the word.
The profit share of
the audio book for this title will equal 10% of the cover price. I'm now thinking of rolling that out to the
Chapeltown is now publishing all of The Schellberg Cycle.
A new version of The House on Schellberg Street
is now available. Details are here.
second story in the series will be out very soon. We're just completing the
final proof check.
Two cafés have
been added this month:
suggestions and review them if you can.
I'm continuing my
tour of creative cafés where I collect stories for an anthology. In some cases,
writers may offer them and in others maybe customers may tell me their story
and I'll write it for them. Do you know of a café that might be interested in
this? Let me know if you do.
Remember you can
now buy merchandise for the Creative Café project. The profit on anything you
buy here goes to the Creative Café Project. Check this out here.
looking for new cafés. If you visit one
of the cafés in the project
and would like to write a review of between 250 and 350 words – nice, too, to
have a couple of pictures – send it to me here.
Do the same if you find a new café.
I’m also now proactively encouraging cafes to stock The Best of CaféLit. Do you know anyone who
might like to stock it? We can offer a 35% discount to retailers. Query gill at
cafelit dot co dot uk.
The Red Telephone
programme is now full. I’m working quite closely with three very different
authors: Charlotte Comley, Dianne Stadhams, and Nina Wadcock. They are all
presenting some fascinating material. University of Salford graduates Lauren
Hopes and Christian Leah have also joined our happy band.
I was delighted to
see Lauren at our recent Celebration Event in London. She read from her novel.
Facebook Group for the Imprints
I've been toying with this for a while. One of our
Chapeltown writers asked if we could form a group and this persuaded me that
this was the right thing to do. Well, we've published Citizens of Nowhere, and we're pretty international. So, Sans
Frontières sounds good. Martin, who does most of our design, came up with
"Scribblers". Yes, it's a bit of a cliché but it alliterates nicely.
So, that's what we've become. Note this
is a secret
group. The public will not be able to see this. It is for writers published by
one of the four imprints. Here you can:
Discuss all technical issues re our books
Exchange marketing ideas
Advertise and report on your events
Promote any of your titles or successes
Share good practice and ideas
Get help with writing problems
Anything else appropriate
Please come and join us if you're
eligible. Or you can ask me to sign you up.
Facebook CaféLit Page
If you’re a Bridge House / Red Telephone / CaféLit / Chapeltown
author and you want to get serious about book tours, consider our author’s kit.
We provide twenty or so books (exact number is up for negotiation) you take to
the bookshop and the bookshop can put these through the till. We then invoice
the bookshop, with a 35% discount for any sold and top up your supply to
twenty. At the end of the tour you can either pay for the remaining books at
cost + 10% or keep them until you’ve sold them and then pay the normal price of
75% of RRP. The latter can in any case be set against royalties. You need to
allow at least ten days between events. We must be able to invoice a retailer
later for this to work. Contact me here
if you’re interested
I'm experimenting on an alternative version of this with one
of our Chapeltown writers. She is persuading local bookshops to stock the book
without her doing signings. If this works we'll roll it out to other authors.
I’m proactively promoting my school visits associated with The House on Schellberg Street
project. I’ve now developed a whole workshop for this. It starts off with a
board game, includes some role play and creative writing and ends with a
It is now possible to purchase the kit to work on on your
own. Find details here.
I did a presentation about my work on this at the 2017
It became apparent
as I talked and partly from the reaction of one of the delegates that the
workshop has more impact than the book. Mind you, that had partly been the
Costs for my workshops = travel expenses plus £400 for a
full day and £200 for a half day. This includes all materials and some
freebies. Two schools near to each other might consider splitting the day and
halving the travel expenses and fees. This is open to negotiation in any
I also offer a free half day visit, though you pay my travel
expenses, if you allow me to promote my books.
I’m continuously adding materials for schools to the site
that are different from the ones I use for the workshops. I’ve recently added
in resources and books to do with the topic. See them here
Query for a school visit here.
I’m also happy to tailor a visit for your agreed donation.
This can be for either a Schellberg Cycle
visit or a creative writing workshop. Any monies raised this way will go
specifically to a project I have for a non-fiction book about a journey that
will follow the footsteps of Clara
I’m hoping to do the whole journey by train, including departing via
my nearest Metrolink station. It’s important to feel the rails beneath my
I offer as well standard author visits which include
readings from my books, Q & A sessions and creative writing exercises.
Please remember, with these as well, I’m open to negotiation
if you can’t afford the full price.
details of the following will be posted later.
- I'm hoping to run a workshop on marketing for indie writers /
publishers. This will be free of charge but you may make a donation if you
wish. This will enable me to put on further events.
- A Pushing Boundaries, Flying
Higher Master Class about writing the young adult novel.
- Manchester event in the summer.
- London event 1 December 2018 (Save the date!)
Our event on 2 December at the Princess of Wales
went well though
twenty delegates had to pull out, all for good reasons: illness, awkward
trains, family problems, job inductions etc. and I too suffered from
"awkward trains". At least though, I got all of my fare back and
Nevertheless, we all had a great time. We also sold half of
our stock of books within the first five minutes and quite a bit more later on.
I didn't have to bring all that much back home.
I actually managed to join in the "speed-dating"
this time. The little bell that I bought worked really hard. She is a young
woman in a crinoline dress. Esmeralda.
It was good to put names to faces. I read a little too from January Stones. We also had readings
from Margaret Bulleyment, Penny Dale, Shanta Everington, Lauren Hopes, Dawn
Knox, Paula Readman, Allison Symes and Robin Wrigley.
Remember I keep a
full list of vetted opportunities on my writing
blog. See them here. New
ones are added several times a day. Roughly once a month I go through it and
take out all of the out of date ones. At that point I send it out to a list. If
you would like to be on that list, sign up here.
I have recently revamped
the way this works and made it much more user friendly. Let me know what you
Current reading recommendation
This month I'm
recommending Talking Theatre by
Richard Eyre. This is a series of interviews with prominent figures in 20th and
21st century theatre. These interviews were filmed and are now also
produced in the book. They collectively give a very good overview of theatre in
the UK and to some extent in America. Very good for me as I return to being
programme leader for English and Drama and Drama and Creative Writing.
There are interviews
with Alan, Ayckbourn, Frith Banbury, Alan Bennett, Steven Berkoff, Peter Brook,
John Bury, William Dafoe, Judi Dench, John Gielgud, Peter Gill, Peter Hall, Christopher
Hampton, David Hare, Margaret Harris, Jocelyn Herbert, Kim Hunter, John
Johnston, Tony Kushner, Arthur Laurents, Robert Lepage, Cameron Mackintosh, Simon McBurney, John
McGarth, Ian McKellen, Arhtur Miller, Patcrik marber, Liam Neeson, Trevor Nunn,
Harold Pinter, Stephen Rea, Luise Rainer, Vanessa Redgrave, Jason Robards, Peter
Schaffer, Fiona Shaw, Stephen Sondheim, Tom Stoppard, Deborah Werner, Arnold
Wesker and August Wilson.
Many of them
discuss Brecht, Beckett, Chekov, the Method and Shakespeare.
himself is quite a prominent figure in theatre.
So, this gives
quite a good overview.
I'm running an occasional series of interviews on my blog.
In March I interviewed Mandy
If you would like to be on my blog just answer
the questions below and send them with appropriate images to gill dot james at
btinternet dot com.
Please feel free to pick and choose which of these to
What do you write? Why this in particular?
What got you started on writing in the first place?
Do you have a particular routine?
Do you have a dedicated working space?
When did you decide you could call yourself a writer?
Do you do that in fact?
How supportive are your friends and family? Do they
understand what you're doing?
What are you most proud of in your writing?
How do you get on with editing and research?
Do you have any goals for the future?
writers have inspired you?
Please write as much or as little as you like for each
section and supply as many pictures as you like. Also let me know your latest
publication and supply me with a link if it's not on Amazon.
I 'm also happy to offer you a post whenever you have a new
book come out, even if I'm not your publisher. In this case answer the
- Tell me about your book.
- Tell us about your
research for this book.
- What inspired you to
- What's next?
- How can we get a copy of
- Do you have any events
Again write as much or as little as you please. Alter and
add to the questions if you wish. Provide as many pictures as you wish.
Send to: gill dot james at btinternet dot com
You will also find
in this dropbox:
extract from Clara’s Story
seminars for schools about The House on
fiction writing exercises
opening chapters from my manual for writing the young adult novel
Note, that normally my books and the books supplied by the imprints I
manage, sell for anything form £0.99 to £10.99, with most on Kindle being about
£2.99 and the average price for paperback being £7.00. We have to allow our
writers to make a living. But we’re offering these free samples so that you can
try before you buy.
Naturally we welcome reviews.
Happy reading and