Showing posts with label The Artist's Way. Show all posts
Showing posts with label The Artist's Way. Show all posts

Tuesday, 7 July 2020

Your Inner Artist Needs You by Maggie Nerz Iribarne


Today I have on my blog  Maggie Nerz Iribarne who tells us abut her writing process and about   creating oneself as a writer. 

Do you realize you are an artist?  Julia Cameron, the author of the book, The Artist’s Way, tells us that our inner artist is a child that needs daily attention and recognition.  My inner artist emerged in my youth when I began writing poems for school and friends. Words came to me in class; I’d jot them down in the margins of my notebooks,  then copy them out neatly on loose-leaf, editing and polishing them. Once, I read about a local teen suicide and wrote a poem. I showed it to a teacher who said I must send it to the boy’s family, so I did, my first inadvertent publication.  



Take Yourself Seriously
To accomplish our art, we must view our work as important.  One of my graduate professors asked my advisor, “How will we get Maggie to take herself more seriously?” I  bristled, but instantly knew this was true on all counts, personally, academically, and creatively. Yet there was evidence to the contrary.  Mr. Washburn, my young, Godspell-loving, guitar-playing grammar school religion teacher, encouraged my poetry and let me taste success by always hanging my poems on the bulletin board.  Mr. Northern, my ninth grade English teacher, wrote “SUPERLATIVE” on the top of my essay about chocolate chip cookies. Although in high school I chose popularity over grades, in college I got published in the  literary magazine and was inducted in the English Honor Society. These events transformed me from high school airhead to graduate student material, yet at the time I always thought of myself as an imposter on the brink of failure. My inner artist was knocking at the door, asking to be seen and heard, but at the time I could not discern the order in the chaos of my life and work.   

Get Up Early, Write in Short Bursts
The first step, according to Julia Cameron, to recognizing your inner artist is by writing, first thing every morning (and you might need to get up 20 minutes earlier to do this) three pages of what she calls Morning Pages (MP), to dump out all the chatter in your mind to make room for art, whatever that means to you.  I read The Artist’s Way when I was in my late twenties, began doing the MP, and have never stopped.  
The MP got me started with a daily habit/practice of writing. In the last year, I have added to my morning practice by writing 500 words of a short story or essay. This only takes about 20 extra minutes and I finish rough drafts this way.  Recently, two short stories (one of which was accepted for publication) were written in this daily dose of 500 words. 


Write about Everything and Anything, Start Big, Messy, even Stupid
I just wrote a story (one mentioned above)  about my parents’ deceased elderly neighbors. I made the wife into a ghost that kills the husband and haunts their house. My mother would be appalled by this; I call it fair game.
Write about anything that resonates for you. Start every story as long, disorganized, and over the top as you need to get it done. Change names of people and places. After drafting, whittle down to a more coherent, cohesive, narrative. 


Take Your Time, Don’t be a Perfectionist
            Writing, like life, love, careers, needs time to unfold, learn its lessons, slowly reveal its meaning and potential. That story about my parents’ neighbors was written specifically for a particular journal. I wrote it, revised, shared it with my writing partner and my husband, revised it again, and sent it. It got rejected in under 48 hours. I reread it, revised it, searched online for another place that would take a literary ghost story and sent it out again. I know it’s not perfect, but  I will continue this process until it gets published. So, getting rejected actually helps fine tune writing.  I am not fussy about who takes my work, as long as I think the publication is looking for quality stories. It doesn’t have to be The New Yorker.
Find a Writing Partner
Currently, I have my friend Laura, who matches me in passion and productivity. One writing friend, Libby, I cold-called after reading an article she wrote.  She called me back and invited me to a writing group. This was 23 years ago and we are still friends and ardent supporters.
It’s Never Too Late
At age 50,  I nurture my inner artist by writing a little bit every day. I call myself a writer.
Sift  back through the story of your life; find the lost moments that spoke your misplaced truth. You are an artist, too; say it out loud, write it, begin.






Friday, 29 August 2008

Artist’s Treat

Julia Cameron, in her books The Artist’s Way and The Right to Write describes something called the “artist’s treat”. I’ve tried to programme that into my working life once a week now, but it doesn’t always happen. Sometimes it happens without me planning it. Like the other Wednesday when I met Emma for coffee. She showed me a little quarter of Manchester that I didn’t know existed but that was within minutes of all the places I do know. I was going to the theatre than night and if I’d gone home, I’d have had turn straight back round and come out again. However, that now gave me time to kill. So, I had a good wander around Manchester. It’s a city I love, with a lot of life and buzz.

The whole point, I think, of the writer’s treat is not to have too great an expectation. You just relax and let things happen. You absorb so much subconsciously as you stroll around. I remember once a trip such as this to Winchester cathedral. It followed a surreal day – full day’s teaching at secondary school, followed by a pantomime rehearsal – even our Cinderella was male and he went, still dressed in drag, to the local station to pick up his girlfriend. Then, I and the other members of my MA group were expected to just stroll around Winchester cathedral and ignore each other if we met. We thought our lecturers had gone bananas. It so happens that a half decent short story for children came out of that. Not that one should do this expecting inspiration. It is a way of allowing a gap. Gaps are useful. It gives you a distance form your work, and it does allow seeds of ideas to be planted. Now, I try to create these occasions.

I love the buzz of cities like Manchester, but I hate retail therapy, though I do like having and wearing nice clothes. The trouble with shopping for them is it feels like pressure. An artist’s retreat has to be no pressure.

I’m off to meet my editor for lunch and then on to the CWIG conference in Cambridge. This involves negotiating the M25. Even without that, I always allow an extra half hour for every hour of journey. I could arrive one and half hour early, therefore. Also, I don’t know how long lunch will take, so I may not be able to check into the college straight away. Therefore, I’m flinging the English Heritage and the National Trust handbooks into the car. We’re members of both. If I have time to kill… but I won’t force it. It’s all about sitting back and letting something in, whilst feasting your senses and cranking up your optimism.