Thursday, 9 November 2023

Short and simple from Adjie on Gifted

 


How did you interpret the word “Gifted”?  
I didn't interpret it 

How did you find out about our call for submission?  
Duotrope

What are the merits for you of the short story form? 
It's just more fun

Tell us a little about you as a writer? 
Totally undisciplined

Do you have any more forthcoming publications or events? 
Some short stories


Wednesday, 8 November 2023

Paula Readman talks to me today about her involvement with our Gifted project

 


How did you interpret the word “Gifted”?

I thought about a small gift, something unexpected when I started writing my story, ‘Just a Packet of Seeds’. As the saying goes; from little acorns, mighty oaks do grow. Sometimes the smallest gifts give the greatest pleasure and from these come the best memories.

How did you find out about our call for submission?

I’ve been writing for Bridge House Publishing for many years now, so I always check out their web pages to keep up-to-date with their submission.

What are the merits for you of the short story form?

Short stories were the best way for me to learn how to write to be published. It can be tough tackling a novel first, which can sometimes be soul-destroying. However, writing short fiction can help you master the basic skills you need for writing your first novel. By writing to a word limit, you can learn how to choose your words wisely, keep your sentences concise, and understand the importance of editing and working on a deadline. Submitting your short fiction can help you develop a thicker skin to deal with rejection. The upside with all the rejected stories is that you have a back catalogue of short stories. A quick re-edit and then you can submit somewhere else. I learned quite quickly that no stories go to waste. You can revisit them as many times as necessary until a spark of inspiration helps you create a story that finally finds a home.

Tell us a little about you as a writer.

I embarked on my writing journey twenty-five years ago when I was thirty-nine. It was a personal challenge to get something published before my fortieth birthday. Despite being poorly educated due to dyslexia, which left me embarrassed about my awful handwriting and weak spelling, I was determined to learn the basics of grammar and punctuation, and also to understand how the publishing industry works. This gave me an insight into what publishers were looking for when submitting my work.

Since I was a single mother working full-time to support my young son, and myself I had limited funds and time. Attending writing courses was not an option for me. Instead, I taught myself from 'how to write' books I found in charity shops, on eBay, and books borrowed from the library.

My effort paid off in 2010 when English Heritage published my first short story. Since then, I have published over a hundred short stories and six books. Although it has been a long journey, I am proud of what I have achieved so far.

Do you have any more forthcoming publications or events?

My latest book is a novella published by Demain Publishing called Never Reaching The End. It tells a tale about a young couple buying a house. It seems some houses don’t let go of their past. I have two short stories published one in CafeLit, the second in Gifted.

Blog: https://colourswordspaper.blog/

Twitter: Paula R C Readman @Darkfantasy13

Amazon Author’s Page: https://www.amazon.co.uk/Paula-R-C-Readman

Tuesday, 7 November 2023

Hidayat Adams talks about his involvement with our anthology Gifted

 




I interpreted the word "gifted" in three ways in my story entitled "The Sealed Heart". (a) The story looked at a gifted or very talented surgeon. (b) It looked at how a patient returns the doctor's empathy as a gift by reminding him why he became a doctor in the first place. (c) The third gift was the doctor's wife falling pregnant and the child being the gift to both of them.

  
I found out about your call for submissions on Facebook. I belong to a group that updates members about writing competitions, and that's where I saw the announcement for the competition. I can tell you that I was extremely excited about the idea, but it took me quite a while before I felt I had the right kind of story. It was influenced mostly by my own experience at the time, as I was in and out of hospital for kidney and kidney stone treatments. It thus felt natural to set my story in a hospital and have the main character be a doctor. I based the character on my surgeon who was treating me.

I love the short story form because I can't seem to write anything longer than 6000 words. My fantasy novel wrote itself, as the story flowed effortlessly, but although I've started writing part two, it's just too much effort. The short story allows me to create a full story with interesting characters, and then move on to another story. I don't have to keep track of who's who, or who said what or what happened as I would have to do with a novel. I also love the fact that I can choose to have all loose ends tied up neatly, or present the reader with an open ending for them to figure it out. Additionally, I can experiment with a variety of genres from horror to comedy to romance to fantasy to science-fiction...

I am an English Academic Support lecturer at the College of Cape Town. I'm a self-published author of one fantasy novel and four short stories anthologies. I am a loner by nature, but I'm not anti-social. I just prefer my own company and being indoors. Aside from writing short stories, I also write poetry. I've had one of my poems published in a local poetry magazine, and three other poems have been selected by an online magazine to be posted on their site during November and December. I'm a bachelor for life, I love to bake (my speciality is a lemon meringue tart) and I am generous to a fault.

I am currently working on three novels, each at various stages of development. I've written the first four chapters of Part Two of my fantasy series; I've nearly finished a supernatural thriller which I started writing last year this time, and I started a new fantasy novel at the beginning of October. Unfortunately, all these projects have stalled, but I hope with the upcoming December holidays, I will be able to carry on with them and even finish one or two.

I have a Facebook page called Hidayat's Corner as well as a Facebook Profile for Hidayat Adams.
I have three books on http://www.inkitt.com that are  free to read.
Some of my poems can be found on http://www.poetrysoup.com

Thursday, 2 November 2023

News 2 November

 

An obsession with story

 

I’ve enjoyed a lot of theatre recently. You’ll probably notice that from the number of reviews I’ve written. I was also fortunate to attend a writing workshop run by Stockroom Theatre group who have a residency at the Bolton Octagon to work on The Battle of Bamber Bridge. You can read all about Stockroom here https://www.stockroom.co.uk/

The thrust of the discussion was about the creation and use of historical fiction. You may already know I have my own very concrete ideas about that. Why was it that a pub may have put up a sign saying “Blacks only”? That is considered to be a bit of an urban myth. Stockroom has not been able to substantiate it.  But certainly in 1943 the black GIs, who were not allowed to mix with their white colleagues, were made welcome at Bamber Bridge.

It was interesting to compare notes about the writing process when you’re dealing with historical fiction. I still firmly believe that fiction can uncover more truth than a list of selected verifiable facts. It shows instead of telling.  

We did intros. That was an epiphany moment for me. I realised I love anything that involves story: novel, short stories, theatre, film and TV. Even gossip at the pub.     

 

 

Writing news

I’m pottering on with Peace Child 6. I’m now just finished the third draft which has meant adding a little more to one or two scenes and checking for consistency.



I’ve now completed my set of Tip Sheets for creative writing teachers to use with new writers. New writers will also be able to use them on their own. I’ve created fifty-seven in total. I’ve covered amongst other topics, character, story structure, poetic forms, turning your work into gifts, a submission strategy and some notes about formatting scripts. They are all Word documents so teachers can customise them and students can add notes.  Have a look here: https://ko-fi.com/s/bcb3b9bd3c  

I’ve been quite busy in many ways:

I’ve written a review of a play directed and translated form Hungarian by a former colleague:

https://talkingaboutmygeneration.co.uk/review-the-bat-at-the-new-adelphi-studio-salford  

My husband and I attended an hilarious production of a Jeeves and Wooster Play. See my review here:  https://talkingaboutmygeneration.co.uk/jeeves-wooster-in-perfect-nonsense-at-the-octagon-bolton

The Royal Exchange’s’ production of Great Expectations was quite controversial; it was set on the Indian sub-continent as partition was threatened. However, it did work beautifully, I thought. See my review here: https://talkingaboutmygeneration.co.uk/great-expectations-at-the-royal-exchange-theatre-manchester

Some of my choir friends and I also enjoyed a fabulous amateur production of Sweeney Todd. It was very engaging: https://talkingaboutmygeneration.co.uk/review-sweeney-todd-the-demon-barber-of-fleet-street It was so good that we forgot we were watching some other members of our choir.

Also in October a colleague and I made a film of one of the self-led walks in Bury: https://talkingaboutmygeneration.co.uk/bury-self-led-walk-summerseat-valley/

I’m continuing to offer workshops, talks and critiques.  Take a look here: https://ko-fi.com/gilljames12122/commissions

 

On My Blog

I’ve had on the blog a couple of the writers from the Lancashire Authors of Today 2023 anthology on my blog. Look at what David Lythgoe and Michael Higgins have to say.   

I also reflect on some of my all-too-often occurring mistakes: Some irritating repeated mistakes

 

 

The Young Person’s Library

I’ve added just one book this month: Leila and the Blue Fox by Kiran Millwood Hargrave and Tom de Freston  This is a beautifully illustrated book for fluent readers and as last month it is a children’s book that I am making my monthly recommendation.  So, see the next section for more details.

 

 

Recommended read

So, this month I’m recommending: Leila and the Blue Fox by Kiran Millwood Hargrave and Tom de Freston

The stories of refugee Leila and blue fox Miso intertwine.   

Both travel a long way.  Leila flees from Syria to live in London and then travels on to the Arctic to join her mother who is documenting the fox’s journey. Miso’s story is based on a true one: Anna the fox walked over 2000 miles in seventy-six days. Both Leila and Miso are seeking something. Will they find it?      

Kiran Millwood Hargraves’s text is touching and Tom de Freston’s illustrations are delightful. I read the hardback version of Leila and the Blue Fox. This would make a delightful Christmas present for a child.    

  

Giveaway

Note: these are usually mobi-files to be downloaded to a Kindle.  Occasionally there are PDFs.

This month I’m offering Veiled Dreams, a YA fantasy romance.

Feisty fifteen-year-old Christina’s parents don’t like her biker boyfriend. They think he’s too old and his hair is too long. She doesn’t like her epilepsy but has to deal with it. An accident leaves her in a coma for several weeks. Whilst in the coma she visits another world where she starts to understand her own awakening sexuality and her illness. She also becomes more tolerant of other people, in particular of those who wear a hijab or burka. But Jan is still waiting for her at home and her new world is getting more real by the minute. Problems abound and she feels alone. She is still in love with Jan, but can she still reach him?

This will be a hard copy and you need to message me with contact details in order to get it.

There is still plenty of free stuff in my dropbox      

Grab it  here: https://www.dropbox.com/scl/fo/c5k72h7y2731t9wz51f6y/h?rlkey=edyj63vvzj2hisql0u1jpm02v&dl=0  You may have to copy and paste the link.   

And please, please, please leave a review, perhaps on Amazon, Good Reads and / or Story Graph, when you’ve finished.    

Note: Normally my books and the books supplied by the imprints I manage sell for anything from £0.99 to £10.99.  Most on Kindle are about £2.99 and the average price for paperback is £8.00. Writers have to make a living. But I’m offering these free samples so that you can try before you buy.

 

The Schellberg Project

The posts may be helpful for teachers who are familiar with the Schellberg stories or who are teaching about the Holocaust.  They may also be interesting for other readers of historical fiction.

Sometimes I also write about what might be useful to other writers.

This month I’ve written about the Stolpersteine, the small copper covered concrete cubes embedded in the pavement in front of the houses of Holocaust victims. Stolpersteine

I’ve also written about why we have war: The Case for War – or not

   

Some notes about my newsletters and blogs

They do overlap a little but here is a summary of what they all do.

 

Bridge House Authors For all those published by Bridge House, CaféLit, Chapeltown or The Red Telephone or interested in being published by us. General news about the imprints. News for writers. Links to book performance. Sign up here.

 

The Bridgetown  Café Bookshop where you can buy my books and books published by Bridge House Publishing, CafeLit, Chapeltown Books and The Red Telephone.  Visit us here.     

 

Chapeltown Books News about our books. Sign up here.

 

The Creative Café Project News about the project and CaféLit – for the consumer rather than for the producer.  Sign up here.   

 

Gill’s News: News about my writing, The Schellberg Project, School Visits and Events. Book recommendations and giveaways. Find it here.   

 

Pushing Boundaries, Flying Higher News about conferences and workshops to do with the young adult novel. (infrequent postings) Sign up here.  

 

Red Telephone Books News about our books and our authors. Sign up here.

 

A Publisher’s Perspective Here I and some other editors blog as a publisher. Access this here.   

 

The Creative Café Project Listings and reviews of creative cafés. See them here.   

 

CaféLit Stories Find these here

 

Gill James Writer All about writing and about my books. View this here.

 

Gill’s Recommended Reads Find information here about books that have taken me out of my editor’s head and a reminder of the ones I’ve highlighted in this newsletter.    

 

Gill’s Sample Fiction Read some of my fiction here.

 

The House on Schellberg Street All about my Schellberg project. Read it here.

 

Writing Teacher All about teaching creative writing.  Some creative writing exercises. Access this here.  I also invite other writers to provide prompts and work for critique.     

 

Books Books Books Weekly offers on our books and news of new books. Find them here. 

 

The Young Person’s Library The children’s book catalogue. Access it here.

 

Fair Submissions  Find it here.   

Opportunities for writers are added several times a day. Roughly once a month I send it out to a list. If you would like to be on that list, sign up here.  

Happy reading and writing.

 

 

Thursday, 19 October 2023

Some irritating repeated mistakes

 


I’ve done this so often I can’t believe it. I work on a text and make it pretty perfect.  I’m talking here about something quite short – maybe an article for the online magazine I work for or even some technical document about a course I’m building. So, I write the email to the person I’m writing for and attach the document  - except I attach it in this form rather  than the perfected one I have on screen because I’ve forgotten to save it first. So it looks like the above, rather than what you’re reading now.

Similar to this and even more irritating is that occasionally when I go to save a document “as” my computer changes the name of the document to something that I’ve already got in my folder. Well, it’ not just my computes; I have this habit of hovering my mouse over the file list. If I’m not careful I give it the okay to replace the file. I did that twice this morning and have now had to create new files from scratch. Fortunately they were relatively short.   And thank goodness that as well as saving everything in two different places we back our work up to a remote server at least once a week .In this case it was quicker to rewrite, though,  than go through the rigmarole of downloading.

And then there’s my mouse. It mainly works very well, but one of the buttons is sticking so I keep doing things twice – opening emails, opening web pages, inserting lines into spread sheets. And it often immediately undoes what I’ve just done, for example changing the layout on my Blogger site, confirming that I meant to upload, or even closing a document.

Oh the joys of being a writer! Still, I guess these are trivial really compared what might be happening in an office, a classroom or on the shop floor.          

Tuesday, 17 October 2023

Michael Higgins talks to me today about his contributions to the latest LAA Anthology


 
 
'The Morris Dancers' Farewell' is about the Royton Morris Dancers, led by Jimmy Cheetham, dancing out of Royton on a Saturday Morning in 1900. The little boy centre dancer is Mark Irwin and his sisters await his return in the lamplight. It was a man's dance but a woman's artistic touch.story was told by Mark's sister Alice many years later. Alice was a grand old lady in her eighties when she told it . All the Irwin sisters helped to boil shirts, sashes, ribbons and stockings for the dancers and dressed them in the street before they danced off.  
 
'The Hour Ahead' echoes a visit to my friends James and Jill in Toronto and remarks on time and distance a comforting hour. 
 
I have a third piece in dialect prose which makes fun of the minefield of dialect spelling and pronunciation.

I write history - I edit the Royton Local Society Newsletter and write articles on local history and grander historical themes for other outlets. I write on literature from Old English to modern. I review books from time to time. 

I decided to enter the LAA  competition because I like writing and had not entered the competition before as I have not been a member long. The other side of the coin is that I have to size myself up to entering them. 


I have entered few other competitions before, though I have won a couple of awards in various categories for dialect societies.

I had heard of the LAA through general reading and already knew the LAA president through dialect and folk events.

I am currently writing a history of the Royton Morris Dancers. I am compiling a collection of poetry.
 
 
Note, this is an affiliate link and a small portion of what you pay, at no extra cost to you,  may go to the Lancashire Authors Association    

Monday, 16 October 2023

David Lythgoe talks to me today about his work in the antholgy: Lancashire Writers of Today 2023


 
I entered five poems for the 2023 competitions, of which two, Asteroid and Anonymous, were placed first and second for the Pomfret Cup, and three, Elegy For a Hermit, Lockdown Safety Glass and Torbreck were placed first, second and third  for the Batty Cup. I usually write poetry and my preferred typeface is Calibri. I like to enter poetry competitions to test my competence which I think (and hope) is still developing after 30 years of writing. My urge to concentrate on poetry rather than prose was very much influenced when I won a nationwide competition in 2003 to write a poem on the theme of 'Discovery' associated with the renaming of the Swan Hellenic Ship 'Minerva'. The competition was adjudicated by the then Poet Laureate Andrew Motion and my wife and I were invited to attend the re-naming ceremony in the Pool of London where my winning poem was read by Dame Judi Dench. I joined the LAA in 2016 having previously been unaware of its existence, even though I was born a true Lancastrian in Wigan 86 years ago. 
 
My current writing project is to publish a fourth collection of poems. I've already written about ninety, but I know that some need to be revised. There's no going back once your words have appeared in print. 
 
The photo was taken on the summit of Suilven, a Scottish mountain. which I climbed at the age of 83, and the book, A Distillation of Hills  was published last year by Chapeltown Books. Although fundamentally an autobiography based on some of my selected walks and climbs, it also contains some of my poetry.