We can’t help ourselves, can we? We see them everywhere:
stories. How long has this man been driving this boat? What if we set out today
and don’t come back? What do those dolphins and whales think as they watch us
watching them?
How we build ideas
As we see situations all around us we accumulate ideas. It’s
hard to work out how we could ever be blocked. “If you run out of ideas, just
go for a walk,” says a writer-friend of mine. She gives an example. “See that man working on the top of that
tower? What can he see that you can’t? What if he were witness to a murder and
didn’t realise it?”
Yes, the question “What if?” always brings results.
Their purpose
But why do we continually find ideas and why do we need to
read and write them? Do they really help to explain life to us? Or are they
there merely to entertain and distract?
Flashes
Someone also recently explained the term “flash fiction”.
Yes, it’s something short and pithy. It may be written very quickly – though
actually I’d dispute that. A “flash” story hangs around with me for at least a
day before I actually write it. But it tells a particular type of story – one that
gives an illuminating insight, a flash of understanding.
Perpetual stories
Some say there are only a certain number of stories – seven,
thirty-nine or even one. It is also true
that the same stories are told over and over again, though vary in each
telling. Stories also have a recognisable shape. Yet the people in them live up
to the moment the story and beyond its ending, as well as during the story itself.
Story has a shape we recognise. Writers frame that shape rather as an artist or
a photographer composes a picture, though selecting details from a series of
events rather than from what we see.
Why writers then?
Some of us seem compelled to tell the stories. Are we born
to it or do we learn the craft? Possibly a bit of both. Maybe we see the stories
more clearly than others. Is there some mysticism here? And / or we have the capacity for telling them
well. I guess we offer a picture of life, lightly interpreted.
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